PPP166: Musical Mystery Opus 1, No. 3 “A Simple Little Song”

In the style of Mike Rowe’s “The Way I Heard It” and Paul Harvey’s “The Rest of the Story” this episode of the Piano Parent Podcast brings you the backstory of a simple little song that keeps finding its way to the top of international charts and in the hearts of multiple generations.

Listen to the full episode here

This story is about a simple love song, but not the typical kind of love that you might be imaging. It doesn’t tell the story of romantic love that was doomed to fail, nor does it carry any of the harsh feelings that often accompany a breakup. It’s a song about love that is whole-hearted but definitely not unconditional.

It’s also a kind of David and Goliath story but by the end of the story you may be wondering exactly who was David and who was Goliath. I’ll even throw in a bit about a King and a Queen just to keep things interesting.

Rebecca always wanted to be a star

From the time she was a little girl, Rebecca knew she wanted to be a star. Though she loved her family and appreciated her hometown, she wanted more than her humble surroundings had to offer her. Equipped with music sense from her mother and business sense from her father, Rebecca set off for the big city the day after she graduated high school.

No one knows how she would have faired on her own because that’s not how the story played out. Personally, I think she would have made her way to success no matter what route she took. Since this is the way things went, I’ll tell you this version.

A mere three years out of high school, Rebecca caught Wayne’s eye. He had just gone through a breakup and was looking for someone to fill that void. Rebecca was a perfect fit. She was beautiful. She was smart. She was talented. She was everything Wayne could hope for in a partner.

As their relationship grew, so did their popularity and success. Everyone loved seeing them together and hearing the songs they produced. Wayne’s weekly show gave Rebecca a regular platform from which to hone her skills. Their collaborations reignited his songwriting and, some would say, even rejuvenated his career. Over the next five years, Wayne and Rebecca topped the charts and received accolades from their fans and colleagues alike.

Little David faces a giant and a king

Five years. That was all Rebecca had agreed to from the beginning. She had said she would work with Wayne for five years, seven years ago. When I told you she was everything Wayne could hope for in a partner, that was a little misleading. Actually, he didn’t see himself as her partner at all, he saw himself as her boss. I’m mean really, he wasn’t wrong. He did sign the paychecks. The show did have his name on the marquee. He had much more experience than she had. To his thinking, he should have creative control over the songs they sang and the records they released.

Rebecca couldn’t agree more! That’s why she wanted out. She didn’t want a boss. She wanted to be free to make her own decisions, even her own mistakes. She just wanted to be free like a butterfly.

She told him so at every opportunity and you would think he would be just as ready to part ways considering her head strong temperament and their creative differences. Whether it was selfish greed or selfless protection on his part is not mine to decide but no amount of talking would persuade Wayne to hear Rebecca’s desire to leave his show.

You’ve probably heard that music is a universal language; it helps us convey emotions that are sometimes beyond what we can express with spoken words. If Wayne couldn’t hear Rebecca’s message through conversation, she would have to do what she did best; write her feelings down in a song.

Rebecca wrote her simple little song in one sitting and called on her boss the next day to share it with him. She told him to sit down because she wanted him to hear a song she had written for him. You might recognize some of the lyrics. She said, “If I should stay, I would only be in your way. So, I’ll go but I know I’ll think of you each step of the way.” Rebecca continued, “Bitter-sweet memories, that’s all I’m taking with me. Good-bye, please don’t cry ’cause we both know that I’m not what you need.”

Wayne did cry as he finally realized that Rebecca meant what she said and she was, without a doubt, leaving his show and heading in a new direction. She finished singing her declaration of independence to Wayne and he told her it was the prettiest song she’d ever written. He also finally agreed to let her leave the show.

Remember, she had joined Wayne’s show when she was barely 21 years old. When she left she was 28, he was 47. She might have seen him as a wise father figure if she hadn’t had her own wise, business-minded father back home.  For Rebecca to stand up to this Goliath of a man in the country music industry is astounding to me.

He was not the last Goliath Rebecca would encounter.

Not long after her simple little song reached the number 1 spot on the country music charts, Rebecca was approached by another giant who wanted to record her beautiful song. He even invited her to come sit in on the recording session. You can imagine her excitement as she told her friends and family that her simple little song was going to be covered by the King of Rock and Roll himself, Elvis Presley.

If the negotiations had happened between Elvis and Rebecca alone, this story might have a very different ending. Unfortunately, Elvis’ manager, Col. Tom Parker called Rebecca the day before the recording to inform her of the way deals with Elvis worked. Songwriters were expected to sign over half their publishing rights when he recorded their music. I don’t know if that is really how recording deals worked with Elvis or if the veteran, Parker, thought inexperienced Rebecca would just go along with whatever he told her. I wonder what went through his mind when she pulled out of the deal. I wonder how many people said, “No” to the king’s henchman.

Maybe she would have said yes if her song had not already reached number 1 on its own. Maybe she would have said yes if she were still trying to make a name for herself in music. No maybes about it, Rebecca respectfully bowed out. Our little David firmly stood up to another Goliath. The now 29-year-old stood up to 65-year-old Col. Tom Parker.

Years later, Rebecca said she would have loved to hear what Elvis did with her little song. She said the sign of a really good song is its ability to cross different styles and genres. And this is where the queen makes her grand entrance.

The queen arrives on the scene

But the connection between our little David and the queen almost didn’t happen either.

The Queen of Pop was working on a new movie and needed a song to capture the movie’s overarching theme of impossible love between two people from different worlds. She was all set to cover the perfect song, “What Becomes of the Broken Hearted” by Paul Young when her team realized the song had recently been used in another film, “Fried Green Tomatoes”. They didn’t want to use a song that was so fresh on the charts, so they had to scramble for a replacement tune.

They needed something familiar, yet vintage; not too country and not early rock and roll. They settled on a tune Linda Ronstadt had covered a few years back. You guessed it; it was that simple little song of Rebecca’s. Except when Linda covered the song, she left out the very important third verse which was integral not only to the song’s origin but to the message of the current movie. The third verse talks about the hope the singer has for her listener’s future; joy, happiness, and most of all, love. Rebecca sent the studio a recording of her original version of the song, suggesting that the third verse be included in the film.

It was the queen’s bodyguard who suggested a crazy twist to the beginning of the song. Acclaimed music producer, David Foster, told him that was a stupid idea. He told the bodyguard there was no way radio stations would broadcast a song with an a cappella opening but finally agreed to at least give it a try for the movie. When the bodyguard is Kevin Costner, he is not so easy to dismiss and the now iconic a cappella opening to “I Will Always Love You” took that simple little song and made it even more poignant.

The end is just the beginning

Now you know the back story of a simple little song. A song written by Dolly Rebecca Parton, which rose to number 1 in a matter of weeks. Actually, it was only one of the four number 1 singles she had that year, and it found its way to the top spot again within a decade, a feat that occurs less often than one might think. “I Will Always Love You” has achieved platinum status four times over and kept Whitney Houston, the queen of pop, in the number 1 spot on the pop charts for 14 weeks. The song that started out as an atypical love song from Dolly Parton to Porter Wagoner when she declared her independence from his show back in 1974.

Dolly may have started out as a type of David. If you take a passing glance at her outward persona, you might still dismiss her as a less intelligent fair-haired female, but you would be sorely mistaken. Dolly is most certainly a giant in not only the country music industry but also in other fields of entertainment with her multiple restaurants and her amusement park, Dollywood.

As a tribute to her business minded but illiterate father, Dolly established the Imagination Library, which sends a free book each month to children from birth to kindergarten. Dolly says, “Before he passed away, my daddy told me that the Imagination Library probably was the most important thing I’d ever done.  He was the smartest man I’ve ever known but I knew in my heart that his inability to read probably kept him from seeing all his dreams come true. Inspiring kids to love to read became my mission.” In February 2018, the Imagination Library was honored by the Library of Congress for their 100th Million Book Milestone. As of this recording, over 15.2 million books have been gifted to children across the world in 2019, 126,474,278 total books have been mailed since the program’s beginning. You can sign your child up at www.imaginationlibrary.com

Dolly sings “I Will Always Love You” in the key of C Major. Whitney sang it in A Major. No matter which version you play, you only need four chords. If you’re into the Nashville numbering system, that would be the 1, 6, 4, 5. For you pop fans, that’s simply C, Am, F, and G, mostly in a loop.

Join the challenge

Slide5   copy

A little friendly competition to make your piano practicing more exciting. Every piece you play, every time you play it. Goes from Nov. 1-30. Jump in anytime!

We won't send you spam. Unsubscribe at any time.

Thanks for listening!

To share your thoughts:

To help out the show:

  • leave an honest review on iTunes. Your ratings and reviews help other piano parents and teachers find the show.
  • Subscribe on SpotifyiTunesPodbean, or your favorite podcast player. 
%d bloggers like this: